Some Symbols in the Baptism of the Lord You Might Have Missed

Eamonn Clark

You know about the Trinitarian symbolism… Christ, the voice of the Father, the descent of the Holy Spirit in the form of a dove. You know about the imagery of John the Baptist, the “New Elijah” and the last of the prophets. And you know about the Jordan River symbolizing a turning point in salvation history, as it was when Joshua crossed over into the Holy Land with the ransomed Hebrews from Egypt (and their descendants), which of course recalls the splitting of the Red Sea and also Noah’s Ark. The river is between Israel and “the nations,” remember.

But add these symbols to your “just too cool” file. The Sea of Galilee, near where the Jordan River begins, is full of life, and it is where Christ calls the first Apostles to follow Him. (Remember the miracle of all those fish in the net?) Around it is the area where Christ begins and does most of His public ministry. The Dead Sea, where the Jordan ends, is just that: dead. It’s so salty that nothing can live in it, even to this day. So when the Lord goes down into the waters in between the two, what is He saying?

Hold on though, it gets better. The Dead Sea valley, where the Baptismal site is, is actually the lowest point on planet Earth (that isn’t under a body of water)… By a lot. See for yourself. So not only does the Jordan River make sense locally, for the Jews, caught between life and death, but it makes sense for the Gentiles as well.

The next time someone wants to say the symbolism in the Gospels is “too convenient,” you can tell them that the Evangelists didn’t even include everything.

We need to bring back this patristic style of Scriptural exegesis, and we need to bring modern day tools into it. Surely, there is a whole lot of stuff we are missing because we won’t take the Lord’s providential action in salvation history seriously enough as it is presented on the Sacred Page.

Merry Christmas, and a happy Feast of the Baptism of the Lord!

 

Main image: Triptych by Jan Des Trompes, c. 1505