Tag: Film

The Christian Film I Want to Make

Christian Renaissance Movement2 Comments

Eamonn Clark

Years ago I had a post on the relationship between animation and iconography. The basic point is that the more “data” given by the artist, the more the mind has to overcome the falsehood of the representation. That’s why icons are good for devotion, while realistic images are not.

Ever since, I have been thinking about the Christian film that one day I would like to make.

It is easy to critique the “genre” of Christian film. It is worth doing so. The Church has the truth, so She should also have beauty, no? It is disgraceful that there have been so few good Christian films produced since the medium was invented over 100 years ago.

A few films stand out as masterpieces – yet to my mind, none really hits the mark, for reasons explained in my post on animation. About as close it gets to what I have in mind among color films can be found in the 1959 production, Ben-Hur.

Notice – no words, no face… And yet, it is just about right. In this scene, Christ is on screen for about 2 minutes, and later at the end of the film we see His shadow for a few seconds as He is carrying the Cross. But somehow the entire film is about Christ nonetheless, and it drives that fact home much more efficaciously than many films that portray the entire Gospel narrative. What if the Ben-Hur style of depicting Christ was used to tell the whole Gospel story? Food for thought.

So, to my dream-film. Would it be animated? No. “Moving iconography”? Closer.

I invite the reader to do an exercise. Take a quick look at any recent film about the life of Christ. (For example, this one.) Consider: how does it affect you?

Now, there is a website (here) dedicated to old Christian films – take a look at the film “No Greater Power” (skip to about the 18 minute mark). Watch it for a bit. Notice the difference?

Now rewind, turn the sound off, and play something ambient and mildly dramatic, like this, or maybe this, and give it a watch…

Now go back to the first film.

Which of the three models did you prefer? If you are like me, it is the third. The selective realism allows freedom for the mind to move to God rather than focusing as much on the film itself. If the point is to make a movie, then maybe the first model is best. But “making a movie” would not be the point. Nor would it be making money – as is what unfortunately drives Hollywood and much of the Christian movie industry as well. Cheap budget makes big bucks if you have the “right message” – it is going to be picked up by millions of people to show their children, to show their youth group, etc. That’s the point. But they do not evangelize.

For anyone with a moderate amount of knowledge of the events of the Gospel narrative, I think my model could work, at least for many people.

So, the film would be black and white (or some version of sepia), silent (or mostly silent), with semi-ambient music designed to draw the viewer into the moment of the scene, and be very limited and obscure in the portrayal of Christ, especially leaving the full view of His Face just out of sight. All this helps to conjure – rather than replace – the memory of the real event and the real persons, allowing for a more authentic use of the medium of film for an encounter with God by freeing the mind from the burden of the senses. In a word, it’s contemplative, like an icon.

One day someone will be kind enough (and foolish enough?) to give me the money needed to do such a project. Until then, it’s nice to dream.

Shame of Thrones

Christian Renaissance Movement3 Comments

Jesus said two of the three following things. See if you can tell which one doesn’t belong: “If your eye causes you to sin, pluck it out.” “Anyone who looks at a woman with lust has already committed adultery with her in his heart.” “Fear not to watch people have gratuitous amounts of violent sex and graphically kill each other, for I say unto you, it is artistic.”

I refuse to apologize for the following rant.

Lately I’ve seen a few pieces critiquing Game of Thrones. One from The Week had a particularly good presentation of the reality of this show’s content. If you are unfamiliar with the show, first of all, what rock have you been hiding under? Second of all, can I join you? It sounds nice there – a place where you don’t know that a show replete with sadistic wizard porn and comically graphic violence is touted by countless critics as so “meaningful” and “artistic” that to date it has received over 600 nominations for major awards and has won over 200 of them. This includes winning 38 Emmy’s – the most ever.

It is perhaps not that shocking that it’s a critically acclaimed show. What is shocking, or at least should be, is that so many Catholics try to make a defense for it, which is the sin of scandal – and I mean scandal in the sense of “leading the little ones to sin,” not in the sense of offending sensibilities. After running across the articles mentioned above, I did some research. To my dismay, there is an entire tradition of Catholic GoT apologia and artistic intrigue.

Good riddance.

“Game of Thrones isn’t really pornographic.” Except for all the scenes which remove “real or simulated sexual acts from the intimacy of the partners, in order to display them deliberately to third parties.” (CCC #2354) The big counter is, no, pornography necessarily means the creator has an intention of “manipulation towards the end of sexual arousal.” Never mind that one of the main actors thinks its pornographic. Never mind the tangential nature of many of these scenes to the plot. Never mind the disproportion of graphic depictions of women compared to men. (I could go on, but I won’t.) What really matters is that it’s obvious that such a high percentage of viewers are going to use these images for self-abuse and lustful thoughts, and the producers of the show know this and definitely exploit it for viewership, that it boggles the mind that someone would try to defend this garbage as – wait for it – “intended to elicit [a] heightened awareness of humanity.” I have a word for that so-called “heightened awareness” – lust.

“Game of Thrones presents a meaningful search for virtue.” Why is this, you ask? Because some characters occasionally do something self-sacrificial or heroic, and one character reads a lot. The author admits, however, “Unfortunately we don’t get a lot of learned intellectual discussion in Game of Thrones. . .” What we do get a lot of is rape, torture, incest, and meaningless nudity. If these characters are searching for virtue, they need to search harder. The producers of the show, however, are definitely searching for viewership to make money and advance their careers. Guess what sells? Vice, and one vice in particular.

“Game of Thrones has good writing.”  Let’s say that it does – which is disputable. So what? Maybe you like the writing in the Koran or the Communist Manifesto or the latest Dawkins screed. Does that mean it’s good for your soul? Would you go to the strip club because you like the music they play, even though you are imperiling your soul? That’s what this is like.

Sources could be multiplied, but why bother? I should add, however, that there are loads of people deeply enamored by the fact that one of the religions in the show is based off Catholicism. Great, just what we need. Are you really of the opinion that Our Lord thinks that’s “cool”?

I can hear the voices calling out… “But it IS artistic! There IS good writing! You just don’t GET IT! Look at the way – ”

I know. I’m a filmmaker. I get that there are some neat artistic devices, and I can appreciate that. But again, to say that justifies everything else is ludicrous. It would be like saying that since Jack the Ripper had style, it would have been worth letting him run free. As I’ve argued before, otherwise good art can be ruined by distractions.

“But there’s violence and sex in the Old Testa-”

And that’s written down, it’s not dwelt on, it’s true, and it’s relevant to our salvation history and therefore to understanding the Life of Our Lord and the meaning of His Church. So no, that does not work.

“But it’s not necessarily a sin to -”

And walking on the edge of a cliff is not the same as falling off. But sheep walk off cliffs. We are spiritual sheep, and watching a show like this is a spiritual cliff of dizzying heights. Pretending that we can relive the state of Eden before the Fall is nothing short of a delusional rejection of the reality of our wildly disordered concupiscence. Where is our shame? The Lord and His saints are with us while we watch these things, which should disgust us. Shame is exactly that virtue which alerts us to the threat or reality of such self-debasement.

Game of Thrones is popular because so many people got bored with less “interesting” programming. It could only sell after the old stuff wasn’t fun enough. This is how drugs work, by the way… Where does this downward spiral end? Red rooms? One can only speculate, but it will not be pretty. It will be shameful, and we might not even have the integrity to admit it.

 

Post by: Eamonn Clark

Main image: iron throne from Game of Thrones (taken from vox.com)

There was no music on Calvary

Christian Renaissance Movement3 Comments

Chances are, you’ve heard of St. Ignatius Loyola. Chances also are that you have tried his oft-recommended technique of meditation involving placing yourself in some scriptural scene, trying to imagine all the details of what is going on around you.

This is certainly a good method for reflecting on Scripture, but we 21st century Christians typically have a roadblock to achieving the real purpose of this exercise. It is a case of art revealing and concealing the truth simultaneously… We usually want to “cinematize” what we imagine.

This is easily proven. If you were asked to place yourself at the Mount of Olives during the Ascension, you would probably be tempted to insert a soundtrack at least, and maybe even some crazy angles and close-ups of wide-eyed apostles. But this is just not how we experience real events. So why would we try to experience the Gospel in this way? If I asked you to imagine eating breakfast, there wouldn’t be any orchestral accompaniment. When you start to dream about going home after a long day at work, are your kids running in slow-motion to embrace you? Maybe this type of dramatization opens up a place in ourselves that allows for a greater emotional response, which certainly can quicken true devotion up to a point, but eventually we might find ourselves responding more to the “art” than to God. Of course, this is a new phenomenon, since film is a new art form.

This scene from Gibson’s The Passion of the Christ is pretty well done. But try watching it once with the sound, and once without. Notice the difference – perhaps the one is more emotional, but perhaps the other is more spiritual. (One day I would love to make a short film about some incident in the Life of Christ with no “fluff”… No music, dramatic lighting, slow motion, etc.)

The “silence and normalcy” of the events in the Life of Christ highlight His Incarnation – Jesus is really human, and, like other humans, does not have built-in theme music, a wind-machine on hand (that incident on the Sea of Galilee notwithstanding), or a traveling make-up crew.

The truth is that we are all outdone in spiritual maturity by Elijah. If we weren’t taken in by the storm, we would have been enthralled by the earthquake. If that didn’t get us, we would have bowed down at the fire. But Elijah knew it was the small whisper of wind that was the voice of the Lord.

It is significant for us Christians that Elijah encounters this voice at Horeb, where all those same kinds of things had happened before with Moses and actually were true representations of the voice of God. It seems that in general God becomes quieter and quieter throughout the course of Scripture and salvation history… Paradoxically, the quieter He becomes, the closer we can get to Him.

Sometimes a little fire or earthquake is fine, but often it is a snare. The true life of the spirit is quiet, invisible, and secret. Just as the flesh of the Son of God concealed His Divinity on the cross while simultaneously revealing it, our outer life conceals and reveals our deepest interior life; and since the interior life is what matters most, our default habit ought to be to deal with it directly insofar as it is possible. If we feed the spirit, that will shine forth in our flesh (just ask Moses). On the contrary, expending too much energy enhancing our outer lives through entertainment and pleasures leaves our interior life hanging high and dry – though sometimes people can be tricked into thinking that a fun and “rewarding” life is sure evidence of holiness and Divine affirmation of one’s choices (or even mistakenly branded by well-meaning persons as critical tools of the New Evangelization). Hormones, seratonin, and even genuine spiritual consolations are not the real substance of the spiritual life, they are only afterthoughts and can even be obstacles to growth. The really good stuff is quiet, and sometimes without a drop of sensible devotion. This is a bit like how cinematizing the Life of Our Lord can, in a way, rob it of some of its power. That isn’t to say there is no place for it, just as sometimes God really does bless us materially, but it ought not be the primary way we try to encounter the Almighty.

There was screaming, crying, and there were even a few words, but there was no music on Calvary.

 

Main image: The Deposition from the Cross, Fra Angelico